If you are new to our Blog, this is a true story that is being shared in serial format. This post is the second in a series that builds the backstory around a Mission that we are currently engaged in. We suggest you first read BACKSTORY: MISS TRUDI. Thank you for following our story.
In Damanhur we have a myriad of different divination possibilities. Divination is the act of consulting forces or entities that are not bound by the same constraints of time that we as humans are. Divination looks into possible or likely futures of or answers to the questions of the person who is divining. You can read more about our Damanhurian perspective on Divination here. Some of the Divination systems which exist in Damanhur include: the Selfic Tarot Cards created by our community founder Falco, the Bral Talej Cards of my dear friend Shama Viola, The Book of Synchronicity, Quadra Selfica (A Selfic painting activated for divination), the Damanhurian Tarot, Dreams, Fire, the Oracle, Spheres, Mirrors of water, gold and silver, 7 stones, the reading of signs from the sky, nature and animals, shell reading, synchronicity in semantics, reality as a divination board, including the reading of the remains in a coffee, tea or cup of hot chocolate, a spill on a table cloth… In essence, if you know how to read signs, almost anything can be used as a divination tool.
At this particular moment in my life I sought out a divination which utilizes the Quadra Selfica—a selfic painting activated for divination. In this particular method there is a woman here in Damanhur, by the name of Ghepardo. Many years ago, she received an activation through Falco, Damanhur’s Spiritual Founder, to be able to read and channel the response coming through a specially prepared Selfic painting. In another post we will explore the significance of Seflica, but for now, understand that a Selfic device hosts intelligence that is not part of this space time continuum so is not bound by the same physical laws that we humans are subject to, including the laws governing our perceived flow of time.
This Quadra Selfica is a painting that is prepared with a the print of a hand in the center and then a series of ideograms from Sacred Language which arc along the top of the painting. I was asked to place my hand on the hand print in the center of the painting and to hold it there for as long as felt appropriate.
I did so. When I lifted my hand, Ghepardo, with a specially prepared selfic device traced each of the ideograms that arced across the top of the painting. When she had completed her tracings she sat back in silence for a moment and then she began to channel.
The message that came through her was very clear and very precise.
I was told that I had a number of diverse projects in Damanhur.
When I considered all of the stories that were being shared with me by Damanhurians, this was certainly true.
Further, I was informed that In a short time, these projects were going to coalesce into a single project idea.
When this project idea arrived, I was directed that I needed to write this idea down, in a four page document, that I then must share with the King Guides of Damanhur (the elected officials who govern the social and economic trajectory of the Community) and with Falco, the spiritual founder of the community.
This project, I was told, would be very important for the future of Damanhur AND for the future of Humanity.
I remember sitting dumbfounded in front of this woman and the Selfic Painting, feeling the gravity of the words that had just been uttered.
I had no idea what this project that was to emerge could be. I remember sharing the divination with Formica and saying that I thought it must be about her book, which was my passion at that time. She told to me that everyone already knew about her book, so it couldn’t possibly be this.
So for the next few weeks, I lived my life with this knowledge weighing on my shoulders, puzzling over what this divination could possibly be referring to but having no clear idea. [Cont.]
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